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Held

Lyndsey Winship reviews Held for The Stage Posted: 28 Feb 2007

Deborah Colker at the Barbican

Donald Hutera reviews Deborah Colker's Knot at the Barbican Posted: 1 May 2006

Deborah Colker Company

Judith Mackrell reviews Deborah Colker's Knot Posted: 27 Apr 2006

Dance: The ties that bind

Deborah Colker’s bondage ballet is a triumph of mind over muscle, says Clifford Bishop Posted: 16 Apr 2006

Mark Morris in Newcastle

Mark Monahan reviews the Mark Morris Dance Group at Theatre Royal in Newcastle Posted: 20 Oct 2005

Capturing new audiences for modern dance

by KELLY APTER WHEN Alvin Ailey's company gave its first performance in 1958, he could scarcely have imagined what would follow. He and a group of fellow African-Americans borrowed premises at the Young Men's Hebrew Association in New York for an inaus Posted: 21 Sep 2005

Don't stop the dance

by JACKIE MCGLONE ALL proud beauty, gleaming hoop earrings and spiky false eyelashes, Judith Jamison looms large in the foyer of the Alvin Ailey American Dance Theater's spanking-new home in New York. In the iconic black-and-white photograph, which Posted: 20 Sep 2005

Alvin Ailey in Birmingham

Americans have known and loved this New York based company since it was formed in 1958 and Birmingham audiences finally have the chance to experience its skills for themselves. Posted: 16 Sep 2005

Alvin Ailey Dance Theatre, Sadler's Wells, London

By Jenny Gilbert The hugely popular Alvin Ailey company seems to be jinxed on its UK visits. Three years ago it postponed due to 9/11. Now its customary exuberance has been shadowed by another history-making crisis back home. I cannot be alone in wond Posted: 11 Sep 2005

Alvin Ailey

A sublime show from the Alvin Ailey troupe, but the revamped Dracula lacks teeth, says David Dougill Posted: 11 Sep 2005

Jan Parry reviews AAADT in the Observer

Judith Jamison, artistic director of the Alvin Ailey American Dance Theatre since Ailey's death in 1989, presents the company as a distinct brand, glorying in its popularity. Sellout audiences around the world respond to its heady blend of African-America Posted: 11 Sep 2005

Judith Mackrell reviews Programme 2 at Sadler's Wells

If the Alvin Ailey American Dance Theater's first programme was marked by radiant dancing and a worrying dearth of original choreography, its second looked more hopeful. With two new works (one a world premiere by Judith Jamison) it should have restored f Posted: 9 Sep 2005

The Alvin Ailey American Dance Theater - Programme 1

The Alvin Ailey company arrives in the UK with a well-deserved air of triumphalism, its swanky, new purpose-built base in Manhattan declaring to the world its position as one of America's top arts institutions. In the light of its long inspirational crusa Posted: 9 Sep 2005

Black to the Front

Feelgood can be a dirty wordin theatrical circles. The commitment to getting out on stage with entertainment at the top of the agenda primes critical scythes ready to slice through anyone who commits an act of showbiz in the name of art. Posted: 9 Sep 2005

Alvin Ailey American Dance Theatre

The relationship between the Alvin Ailey company and its public is a kind of communal love affair. The love-in began at the top of Tuesday’s decidedly mixed bill, the second of two programmes with which the troupe is touring Britain until October 5. Posted: 9 Sep 2005

Alvin Ailey American Dance Theater, Sadler's Wells, London

The Alvin Ailey company's first programme is a mix of sentimentality and exuberance. The energy comes from Revelations, the company's signature piece, which will be danced at every performance on this British tour. The other works on this first programme Posted: 8 Sep 2005

Debra Craine reviews the Alvin Ailey American Dance Theater at Sadler's Wells

No doubt about it. Alvin Ailey American Dance Theatre is riding high. If the opening night of the company’s big UK tour was any indication, audiences here are in for a treat courtesy of these conquering New Yorkers. Posted: 7 Sep 2005

Lithe, lovely, but lightweight

The Alvin Ailey American Dance Theater is like an advertisement for a dance company. Sleek, fleet and strong, clad in fetching bright colours, its fantastic performers dazzle with their brilliance. They make the joy of dancing infectious, which accounts f Posted: 7 Sep 2005

A Celebration of Black America

The tremendously popular Alvin Ailey American Dance Theatre is at London's Sadler's Wells this week, at the start of a regional tour. And there, on stage, is everything the troupe has taught us to expect: entire identification of the dancers with the d Posted: 7 Sep 2005

A Solo for Trio proves a singular triumph

by Sarah Frater A surprise, a challenge, a pleasure and a stinker is the best sum up fot the Alvin Ailey American Dance Theater. Kindness requests the stinker be espatched first, but the surprise was so good, so appealing, and just so gorgeous that you Posted: 6 Sep 2005